Mar 12

Three new TV crime shows are set in North Carolina – News & Observer (blog)

Well, I guess we aren’t Mayberry anymore.

Three new TV shows premiere this month with strong North Carolina roots, but each show is about a serious crime.

On Sunday night, ABC debuted the third season of its anthology drama “American Crime,” which tells a different story each season. This year the show tackles the topics of illegal immigration and labor, sex trafficking and addiction. It stars Felicity Huffman, Benito Martinez and Timothy Hutton, and airs at 10 p.m. Sundays.

At 10 p.m. Tuesday, NBC will launch what it hopes will become a comedy anthology series, “Trial & Error.” The sitcom is a spoof of the French documentary “The Staircase,” which followed the Durham trial of Michael Peterson for the murder of his wife, Kathleen. Set in “the Carolinas,” it stars John Lithgow as Larry Henderson.

And on March 22, Fox is set to debut “Shots Fired,” a 10-hour series about a racially charged police shooting set and filmed in North Carolina (primarily around Gastonia and Salisbury, but also around Charlotte, Concord and Mooresville).

“Shots Fired” plays off the many recent police shootings in the news involving unarmed black men, though the show opens with a black police officer (Mack Wilds) in fictional Gate County (not Gates) shooting and killing an unarmed white college student from N.C. State University. The attention that shooting gets angers the African-American members of the small North Carolina town, because a previous shooting by police of a black teenager in the town was not investigated.

As far as the attached big star names, Helen Hunt plays the governor of North Carolina and Richard Dreyfuss plays the owner of a corporate prison system.

And if we wanted to go back to this past fall, we could add a fourth North Carolina-set show that was full of crime (although some crimes were committed by ghosts, I suppose). “American Horror Story: Roanoke,” which aired on FX, involved grisly murders set on Roanoke Island, tapping into the “Lost Colony” mystery.

Additionally, a reader reminded me that TNT’s “Good Behavior” is also set and filmed in North Carolina. “Good Behavior” is about an ex-convict and former meth addict (Michelle Dockery, “Downton Abbey”) who becomes entangled with a hired assassin. It’s complicated. The two travel across the South, and a lot of the action takes place in North Carolina (filming in the Wilmington area). “Good Behavior” has been renewed by TNT for a second season.

There are a few more TV shows set in North Carolina, though none of the others is about crime.

▪ “The Carmichael Show,” a very funny NBC sitcom starring Jerrod Carmichael, is set in Charlotte.

▪ “Pitch” is a baseball drama on Fox (it hasn’t been renewed, but also hasn’t been canceled) that is set mostly in San Diego, but flashbacks show the story’s subject – a young, black female baseball pitcher – being raised in Tarboro and being recruited to play baseball at N.C. State.

▪ “Wicked Tuna: Outer Banks” is a reality program on the National Geographic Channel that follows commercial tuna fishermen working off N.C.’s Outer Banks.

▪ Another reality show, “My Big Fat Fabulous Life,” follows Greensboro native Whitney Way Thore in her efforts to lose weight. The show, in its fourth season on TLC, takes place in the Greensboro and Charlotte areas.

Mar 09

Samuel L. Jackson revives debate on British black actors in American roles – CNN

During an interview with Nyc radio station Hot 97. 1 earlier this week, Jackson criticized the particular casting of actor Daniel Kaluuya, who plays an African American professional photographer in the horror movie, mixed with gnawing at social commentary. Allison Williams performs the character’s love interest.

“I tend to wonder what that movie would have been with an American brother who really seems that, ” he said. “Daniel grew up in a country where they are interracial dating for 100 years. Exactly what would a brother from America have made of that role? Some items are universal but [not everything is]. ”

Jackson offers since softened his comments, informing the Associated Press he failed to mean to “slam” the movie but rather point out “how Hollywood functions in an interesting sort of way sometimes. ”

Kaluuya have not yet returned CNN’s request for opinion.

But Jackson’s observations are absolutely nothing new.

After winning an Academy Award for his performance in “Moonlight, ” Mahershala Ali joked with reporters backstage that he was thankful his plum role in the coming-of-age film did not end up in the hands of stars he viewed as potential competition. They both happened to be British.

Mahershala Ali accepts the best supporting actor Oscar for 'Moonlight' on February 26.

“I’m just so fortunate that Idris [Elba] and David Oyelowo remaining me a job, ” Ali quipped. “It was very, very type of them. ”

Within 2014, Ava DuVernay’s “Selma” received some criticism for casting Oyelowo to play Dr . Martin Luther King Jr. The role of Coretta Scott King was also played by a British native, actress Carmen Ejogo.

Oyelowo said his casting was beneficial because he moved into the project without the pressures a north american actor might feel taking on the particular role.

"Selma" director Ava DuVernay and actor David Oyelowo.

“I know for a proven fact that when Lee Daniels, who was the director attached at the time I got solid, was in place he said: ‘David, the reason why I cast you as Dr . King is because you did not come in with any of the baggage of this icon. You just came in and played the man, ‘” he told NPR .

Actor Morgan Freeman

Some say the seeming influx of dark British actors is a result of limited opportunity in the U. K.

Morgan Freeman made this point dating back to 2012, when he told the particular Telegraph that he knew at least three British actors who’d made the move to the States in search of onscreen function.

“The British film industry definitely has more work to undertake on that front, ” he or she said. “It needs to catch up with the days; it has much more progress to make. inch

Much like #OscarsSoWhite debate, the BAFTAs — the British equivalent of the Academy Awards — has been slammed for its lack of diversity.

In 2016, Elba was the only black actor nominated in the four main performance types at the BAFTAs for his part in “Beasts of No Country. ”

And while American television is often praised for being more inclusive than American film, within Britain, the lack of diversity is especially apparent on television.

Actor Idris Elba

Last year, Elba spoke to members of the Uk Parliament about the restricted number of roles for black actors, saying it made him turn to America for opportunities.

Elba, star of BBC’s “Luther, ” did not score that starring role until after he’d acquired acclaim in the U. S. for his work on HBO’s “The Cable. ”

“When you don’t need to reflect the real world, too much talent gets trashed. Thrown on the scrapheap, ” he said, according to The Guardian . “Talent is certainly everywhere, opportunity isn’t. And talent can’t reach opportunity. ”

Actor David Harewood (“Supergirl”) agreed when interviewed by Vulture per week later: “American television, for all its faults, still has a black presence in shows and even in commercials. ”

American TV and film still have work to do.

A 2016 study out of the University of Southern California Annenberg found that 22% of the more than hundred films and 305 television shows they will evaluated failed to depict a dark or African American speaking character.

A 2015 survey associated with 800 films released from 2007-2015 revealed that that only 12. 2% of characters in those people movies were black, while 73. 7% were white.

Ultimately, there’s a need for more functions for both British and American actors of color.

Actor John Boyega

English actor or actress, John Boyega, who starred within the 2015 film “Star Wars: The particular Force Awakens, ” tweeted a response to Jackson’s comments: “Black brits vs African American. A stupid ass conflict we don’t have time regarding. ”

Jackson probably agrees. During his radio job interview, he also acknowledged that there are more opportunities for black actors within Hollywood than across the pond.

“It’s all good. Everybody must work, ” Jackson said.

Mar 07

Understand your roots; Black history can be American history – eCorsair. possuindo

eCorsair. com

Know your roots; Black history is definitely American history
eCorsair. com
Last year actor and Fox News correspondent Stacey Dash said that America should get rid of Black History 30 days. She then attacked BET ( Black Entertainment Television ), basically stating that race-specific organizations and observations do nothing but

and more  »

Mar 05

You can’t trade ideology for history and keep it real – The Telegraph (blog)

In my old age, I’ve become tired of having “tired moments.” Let me explain. I’m tired of people saying something totally clueless about race and then, without a mea culpa in sight, trying to explain it away. When confronted, they either charge the hearer with being, “too sensitive,” or with “misunderstanding” the speaker.

The latest case falls into such a category. Last Monday, the Secretary of Education Betsy DeVos, after meeting with presidents from historically black colleges and universities released this statement. You tell me whether I’m being, “too sensitive.”

“A key priority for this administration is to help develop opportunities for communities that are often the most underserved. Rather than focus solely on funding, we must be willing to make the tangible, structural reforms that will allow students to reach their full potential.” So far, so good.

“Historically Black Colleges and Universities (HBCUs) have done this since their founding. They started from the fact that there were too many students in America who did not have equal access to education. They saw that the system wasn’t working, that there was an absence of opportunity, so they took it upon themselves to provide the solution.” Train still running on the rails.

“HBCUs are real pioneers when it comes to school choice. They are living proof that when more options are provided to students, they are afforded greater access and greater quality.” Now why did she have to go there. She continued. “Their success has shown that more options help students flourish….”

I’m I being “too sensitive” to wonder why she thinks the founding and operation of HBCUs was a school choice issue rather than a Jim Crow issue? Wasn’t someone on her staff, if not herself smart enough to say, “er, Madam Secretary, black colleges and universities were founded because of segregation, not some notion of choice, at least not in your use of the word. Blacks formed their own colleges and universities because they had ‘no choice.’”

DeVos is not the only person to fall into this Never Never Land of trying to reconstruct history. I get letters all the time asking why there is a black this or a black that, particularly during Black History Month. “Why,” they ask, “is there a Miss Black America” or a Black Entertainment Television Network.” While there are no stupid questions, the tone of these queries, show a historical ignorance, or should I say, willful blindness that creates a number of tired moments. They are not asking questions at all. They are accusing, because the questions are usually followed with a, “What if?”

“What if we had a, White Entertainment Network, or National Association for the Advancement of White People?” To those I answer, “You do.”

They forget that affirmative action wasn’t invented to help black folks, but to keep black folk separated from white folk. In most of this country’s education establishments, from elementary schools to colleges and universities, affirmative action worked 100 percent of the time for hundreds of years. At the University of Georgia, it worked from its founding until 1961 when Federal Judge William Bootle ordered the school to admit Hamilton Holmes and Charlayne Hunter, its first black students.

And DeVos dares to say it was the pioneering spirit of school choice of which she is an advocate.

Let’s take her statement to its illogical conclusion. If choosing to start your own system of colleges and universities because of segregation, in DeVos’ mind, is school choice, then it must be alright to start segregation academies and call them charter schools and use public money, something she advocates, to do so.

No one forced her, or her Department of Education, that she now leads, to issue that statement, but it reflects her ideology, not history. It may not be the history she accepts, but it’s history she can’t erase from the blackboard of time.

DeVos may be worth billions of dollars, but she’s not the brightest bulb. I worry about people who put ideology in gear before all else. I believe in having a passion for what you believe in, however, when you see everything through your own little ideological prism, you’re divorced from reality. And no, I’m not being “too sensitive,” I’m being real.

Mar 01

NAFEO President Latest To Appeal to WAGER President for Changes to ‘The Quad’ – HBCU Digest

Courtesy: Black Press USA

A prominent advocacy executive for historically black universites and colleges is the latest leader to write in order to Black Entertainment Television President Debra Lee seeking changes to its weekly HBCU-themed drama ‘The Quad. ’

In a notice dated Feb. 22 and obtained by the HBCU Digest, National Association For Equal Possibility in Higher Education Chief executive and CEO Lezli Baskerville had written to Lee for NAFEO in order to serve as a consulting resource in order to writers and producers of the hit series, which drew criticism recently from Hampton University President William Harvey for what he known as “a missed opportunity” for the show to showcase a balanced view of HBCUs.

“Because a lot of who watch BET use the details they receive to vicariously experience aspects of life unknown to them, but alluring, ‘The Quad’ should strive to a greater degree to educate students plus families about real college lifetime, ” Baskerville wrote. “To the particular extent that ‘The Quad’ could be adapted to present a balanced view of school life, and HBCU college living in particular, the viewing audience would learn that HBCUs are a cost efficient, excellent environment for their professional and private development. ”


“The administrators, faculty, and personnel are teaching students the appropriate curriculum, but also how to be both impartial and interdependent. The students are learning how to be on their own, but also to become at their best – to test their own boundaries, take risks, study difficult, serve the campus and neighborhood community, and to party, sometimes with a purpose. They are learning to be safe, respectful of themselves and others. They are things at which ‘The Quad’ does not even hint in passing. By these failings and others, ‘The Quad’ casts HBCUs in a negative plus false light, and BET does not show for a tremendous opportunity to use ‘The Quad’ to entertain, inspire and teach – a model that would most assuredly be attractive to current and additional marketers. ”

Baskerville, in whose organization represents all public and private HBCUs and predominantly dark institutions, was among several professionals present during the recent ‘HBCU Fly-In’ held over the last two days in Wa D. C. and was one of the select group invited to the putting your signature on of President Donald Trump’s executive order on historically black schools.

Lee, along with ‘Quad’ star Anika Noni Rose and possess creator Felicia D. Henderson, possess expressed disappointment with the criticism of the show, and have emphasized its role in telling human stories that are authentic to HBCU campuses plus audiences.

“I was expecting and we have received very strong opinions, ” she said. “So while we’re doing well in the rankings and critics love the show, you can find people who have that experience who don’t such as what we’re doing, ” Henderson told MadameNoire. possuindo in an interview . I did anticipate very strong opinions, but I can’t say that I did expect people never to see the good in the storytelling. That’s what surprised me. ”



Feb 28

Dark TV Host Says Kellyanne Conway Would Not Have Couched It Just for White Evangelicals – Daily Caller

Black TV Host Says Kellyanne Conway May not Have Couched It For White-colored Evangelicals | The Daily Unknown caller

The particular Mirror


Marc Lamont Hill , a professor at the historically black Morehouse College and a host for Black Amusement Television, says President Trump ‘s senior tool Kellyanne Conway had something else on her thoughts when she tucked her feet under her butt on a beige couch in the Oval Office.

Namely, disrespect.

In tweets Tuesday afternoon, this individual claimed that historically black college presidents told him that her position on the couch surprised them — to say the least. “They said these were shocked by her posture, ” he wrote. “But keep the hypotheticals coming…”

Feb 27

Businesses a key part of black history – Finance and Commerce

America’s celebration of Black History hasn’t always been a monthlong affair; it started out with a “Negro History Week” in mid-February until 1976 when President Gerald Ford officially recognized Black History Month.

The country’s college students were one of the driving forces behind the extension, pushing for increased awareness of the historic contributions of African Americans – particularly on campus and in the educational system, where black history was a rarely visited topic.

Now, 40 years later, it’s easy to see how Black History Month can be applied to history classes. Iconic figures like Martin Luther King Jr., Rosa Parks and Harriet Tubman are recognized and emphasized..

But how are American colleges handling the business aspects of black history?

For Dr. Juliet E. K. Walker, a history professor at the University of Texas at Austin and the founder of the school’s Center of Black Business History, Entrepreneurship and Technology, black business history is not a subject she visits only during Black History Month. It is a topic she includes year-round.

Her courses explore the extent to which the sale of slaves produced commodities that generated the nation’s wealth up to the Civil War, and runs up to more modern aspects of black business history, including buyouts of black businesses, such as Viacom’s 2001 purchase of BET, parent of Black Entertainment Television.

While Walker believes historians of American business history focus mostly on how key figures influenced the country’s economic history – such as Andrew Carnegie, Henry Ford, and so on – she acknowledged that these historians are including issues of diversity.

“For the most part, [they discuss] assessments of black employment in white corporate America,” she said. “Is there discussion of wealthy blacks? Probably – like Oprah, Michael Jordan, Robert F. Smith, Beyoncé and Jay-Z.”

Walker also wrote a book in 1995 titled “Free Frank,” a biography of a South Carolina slave who, once freed, became a successful frontiersman. The text is a favorite of Ken Lipartito, a history professor at Florida International University.

Like Walker, Lipartito does not wait until Black History Month to discuss black business history. Lipartito includes explorations of minority business history, in addition to the figures that Walker mentioned.

“I make sure to emphasize the diversity of actors and their experiences with regard to entrepreneurship,” said Lipartito. “So I do not confine myself to the classic ‘big names’ such as John D. Rockefeller or Andrew Carnegie, though I do teach about them, as well.  But I also have readings and classes that deal with African Americans, immigrants and women as entrepreneurs.”

Lipartito doesn’t necessarily draw a line between minority business history and the places of minorities in society as a whole.

“I like to emphasize how entrepreneurship is not just about great inventions in the way [economist Joseph] Schumpeter describes it, but changing society and expectations,” said Lipartito. “So African Americans challenging racial assumptions about who can be a success or women shattering glass ceilings – they are entrepreneurs who are reworking our understanding of the economy and social roles and norms.”

In the Twin Cities, neither the University of Minnesota nor St. Thomas University offer specific courses on black business history. But both have courses and programs that intersect with the topic.

The U of M’s Carlson School of Management offers several scholarships “with preferred selection criteria for diverse candidates,” according to its website. In addition, the Carlson School is a sponsor of a minority entrepreneur initiative developed by the MN Cup, which is the nation’s largest statewide competition for start-up businesses. It awards an annual Minority Entrepreneur Prize.

St. Thomas’ Opus College of Business offers a minor in American Culture and Difference. On Feb. 21, St. Thomas held an Opus Distinguished Speakers Panel on economic development and innovation in urban communities. The school also collaborated with Greater MSP, an economic development nonprofit, on a survey of local professionals of color, focusing on their workplace experiences.

St. Thomas also funds and provides office space for the annual Forum on Workplace Inclusion, which began as a video conference in 1988 and now may be the largest event of its kind, according to Executive Director Steve Humerickhouse. This year’s Forum will be held at the Minneapolis Convention Center on March 28-30. It will involve more than 1,300 participants from 40 states, 11 countries and more than 300 organizations and companies.

Louis Hyman, an associate professor at Cornell University’s School of Industrial & Labor Relations, echoed Walker and Lipartito in their beliefs that black business history is not just a temporary subject; it’s a topic tied intrinsically to black history as a whole.

“Black business history is a core part of my syllabus,” Hyman said. “The struggle for black business was, since emancipation, deeply connected with the struggle for black political freedom.”

In particular, Hyman draws connection between African Americans’ desires for economic autonomy and the civil rights movement.

“I think it is important to study black business because so much of the civil rights movement is cast as ‘progressive’ when really a great deal of it was a conservative, or at least, pro-business movement,” said Hyman. “African Americans demanded the right to spend their money and to invest their money, like white people. This is radical under conditions of white supremacy, but not radical in a market economy. What is amazing is that white supremacy lost out.”

Feb 27

Partying Byron Allen, the Most Underrated Guy in Black Entertainment. – The Urban Twist

Since childhood, I can remember Byron Allen having some influence over Black culture and entertainment. Through onscreen personality to behind the scenes mass media mogul, Allen must be one of the more underrated Black businessmen in America.

About two weeks ago, I were up on the late night tip, close to midnight, possibly 1 a. m. Flipping through channels I happened to see the words “paid programming” pop up as the description for a show which was currently on commercial break.

Before I could change the channel the particular show restarted and I saw that while it was paid programming, it was a show I recognized. A few years ago, there have been two new shows I noticed only on late night weekend television. One show depicted a Black family members living in the white house, the other told the story of an actor convicted of a crime and sentenced to show in a local high school.

The First Family The First Family

Each of these shows which I afterwards identified to be “The First Family” and “ Mr. Box Offic e” both featured well known Black actors and comedians. “Mr. Box Office” stars Bill Bellamy (How to Be a Player), Vivica A Fox( Kill Bill), Bernard Meadows ( SNL) to name some. “ The First Family ” features Marla Gibbs of “227” fame, John Witherspoon ( Friday), Kellita Smith ( the Bernie Mac Show) and Captain christopher B. Duncan ( The Jamie Foxx Show).

Mr. Box Office Mr. Box Office

They are both positive, amusing shows where the stars aren’t killing people, selling drugs, trying to ensure it is in the entertainment industry or featuring negativity and impossible lifestyles. The particular shows center on family and friendships, positive themes and values, such as great Black shows of the 90’s.

I was incredibly bothered by the fact that in order to get these great, positive shows on television, the producer and creator, Byron Allen, has to pay to have them aired. Aired in the middle of the night, on a weekend, when most people aren’t watching television, exactly what does that say about the state great Black programming?

May be the only way to provide quality Black programming that is not meant to divide, force negative stereotypes and influence in order to finance it yourself and get any spot you can get? You would believe with so many talented Black actors in each show they would be acquired for prime time. However , all these shows have been around for 3 years or more and have not been picked up by a major network or streaming company.

It’s ridiculous.

Byron Allen has been the particular creative force behind some of your favorite shows. He has executive produced “Justice with Judge Mablean”, “Justice for everyone with Judge Christina Perez” “Comics Unleashed” “Supreme Justice with Judge Karen” “We the People with Gloria Allred” and many other shows. Allen is also a writer, director, and actor.

Byron Allen was born in Detroit in 1961. By the age of 14 he had put together his 1st stand-up comedy routine and after carrying out in L. A. was found out by Jimmy “J. J. ” Walker.

That was the start of a career in enjoyment he has never looked back through. At just 18, he performed upon “The Tonight Show Starring Johnny Carson” From there the world got to actually know Byron Allen through his show “Kickin’ It with Byron Allen” which focused on interviews along with celebrities, movie reviews, and updates on the entertainment industry.

Over 30 years ago, he started his still functioning media company, Enjoyment Studios, which was his first step into television production.

Last year Byron Allen launched six 24-hour HD television networks.

Allen’s company, Entertainment studios, sells, creates and distributes content for thirty-two different television shows. Byron Allen’s Net worth is estimated at $300 million. This Black History 30 days, we celebrate Byron Allen, that has worked so hard to provide quality Black television programming for three decades.

Feb 24

You Must See This Incredible #BlackGirlMagic Moment

Snoop Dogg, Tracee Ellis Ross, Ruth Negga and more.

Feb 23

Movie Released of Bankroll Fresh’s Homicide

Atlanta police say up to six guns were included.

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